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Hunter A. Brown
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Voix Mezzo-Soprano, Piano
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Vous avez sélectionné:
Hunter A. Brown
Partitions à imprimer
5 partitions trouvées
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1
Invictus
Invictus
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Hunter A
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Invictus
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Hunter A. Brown
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Pub...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.1013580 Composed by Hunter A. Brown. Concert,Contemporary. 13 pages. Hunter A. Brown #6296021. Published by Hunter A. Brown (A0.1013580). Invictus (baritone and piano) is an art song setting of the timeless poem of the same title by William Ernest Henley (1849-1903). Latin for 'Invincible' - the theme of perseverance and steadfast determination is as relevant today as the day it was written. With a duration of 3'45, Invictus is perfect for a college recital, solo and ensemble contest, or church service. Range: G2 - F#4I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText:Out of the night that covers me,
$9.99 ≈
9.32€
I Dream of You, to Wake (Mezzo-Soprano and Piano)
I Dream of You, to Wake (Mezzo-Soprano and Piano)
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Voix Mezzo-Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
Instrumental Solo,Medium Voice,Piano - Level 4 - SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual part. 13 pages....
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Instrumental Solo,Medium Voice,Piano - Level 4 - SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual part. 13 pages. Hunter A. Brown #6292317. Published by Hunter A. Brown (A0.1013579). I Dream of You, to Wake (mezzo-soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept singer, and would be ideal for a solo and ensemble contest or college recital.Key: E-flat major, E-flat minorRange: Bâ™4 - F5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99 ≈
9.32€
I Dream of You, to Wake (Soprano or Tenor and Piano)
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99 ≈
9.32€
A Life in the Woods. A Hunting Song
A Life in the Woods. A Hunting Song
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Piano, Voix
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Francis H
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A Life in the Woods. A Hunting
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.2962 Composed by Francis H. Brown. Horseback riding, Hunting dogs, Forests, Happiness. Lester S. Levy Collection. 7 pages. Pub...
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Piano and voice - SKU: LV.2962 Composed by Francis H. Brown. Horseback riding, Hunting dogs, Forests, Happiness. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2962). A Life in the Woods. New Edition. A Hunting Song. The Words Written by George P. Morris. The Music Composed by Francis H. Brown. Published 1841 by Atwill, 201 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Horseback riding, Hunting dogs, Forests, Happiness. First line reads What a merry life does a hunter lead.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.99€
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Hunter A. Brown
